
Gig Review:
Razorlight, Metro Radio
Arena, Newcastle Upon
Tyne, 2nd April 2007.
Reviewer:
Michelle Annable
Just
the very thought of
going to a gig at the
Metro Radio Arena fills
me with dread. It’s the
kind of vast, hollow,
soulless venue that many
a great band (and just
as many not so great)
has tried to conquer but
failed miserably to
inject some much needed
life into. Pulp managed
it many moons ago, but
that was just a couple
of days after the whole
Michael Jackson incident
and they were on an
incredible high. Blur on
the other hand, hadn’t
fared so well a few
months before that when
they’d visited. As I
head down there I’m
wondering if Razorlight
will be able to pull off
the step up to arena
capacity.
From the off they put on
just the kind of show
you’d expect to see at
this type of venue. The
light show has to be
pretty special so that
the people right at the
back have something to
watch. They sure as hell
can’t see the band! Even
with the assistance of a
couple of big screens at
either side of the
stage. However, the
sound is fairly good for
a venue of this size and
each song is played note
perfect so at least
there’ll be no
complaints on that
score.
For
those of us nearer the
front it’s a very
different proposition.
Razorlight to me are a
much more interesting
proposition visually
than musically. While
their brand of finely
crafted, melodic, indie
rock anthems aren’t bad
in themselves, many of
them don’t exactly
bristle and fizz with
the kind of raw energy
and effervescence that
blows you away. All the
big hits (think In the
Morning, Golden Touch,
Somewhere Else, America
et al) get the biggest
audience reaction but
are the least
interesting in terms of
performance. Fair
weather fans only
interested in the radio
friendly unit shifters
seem to outnumber the
hardcore faithful,
something that
invariably comes with
the kind of massive
radio exposure that
America generated.
Where Razorlight really
come into their own is
on the lesser known
album tracks which sadly
is the point at which
lack of familiarity
causes many in the vast
auditorium start to lose
interest. Knowing he has
to work harder to retain
their attention Johnny
Borrell really begins to
put on a show. He
struts, he preens, he
gets his nipple cleavage
out and is utterly
compelling to watch,
just as a front man
should be. Much has been
written about Borrell’s
unwavering self
confidence in his band,
his song writing skills
and in himself. How many
of those quotes were
reported accurately is
another matter
altogether but based on
these performances that
famed self confidence is
well founded. When
Razorlight do break away
from the tried and
tested route and
experiment a bit more
they are captivating. If
they can come up with a
bit more of that
diversity then the
headline spot at Reading
and Leeds could well be
justified.
http://www.myspace.com/razorlight
http://www.razorlight.co.uk